Profundo Heritage Archive Interview with Anne Bingaman

 
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HSFF is delighted to present the next n the Profundo Heritage Archives series of interviews with Anne Bingaman.

This piece is part of the Profundo Heritage Archive of over 50+ interviews with prominent cultural figures in New Mexican conducted by Nuevo Mexico Profundo’s Frank Graziano. The complete archive will eventually reside at University of New Mexico’s Center for Southwest Research. View the list of current interviews here.

About Nuevo Mexico Profundo
Nuevo Mexico Profundo is the venture that conducts tours of New Mexico churches on the High Road, in the mountain villages, at pueblos, to raise money for the repair and restoration of these churches so important to the communities where they reside. Profundo is a collaboration started by Frank Graziano and supported by the Historic Santa Fe Foundation, Spanish Colonial Arts Society, Cornerstones Community Partnerships, New Mexico Historic Preservation Division, the Office of the New Mexico State Historian, and the New Mexico Heritage Preservation Alliance. Given the conditions of the ongoing health crisis, tours and events planned by Profundo have been canceled for the year. This program of interviews and recording histories was put into action according to social distancing and health regulations. You can learn more about Nuevo Mexico Profundo at nuevo-mexico-profundo.com.

Profundo Heritage Archive Interview with Jeff Bingaman

 
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Senator Jeff Bingaman served New Mexico in Congress from 1982-2012. In this interview, conducted just days before the 2020 presidential election, he focuses on today’s political condition in the US Capitol, and his experience there, especially in his role in the passing of the Affordable Care Act. He openly and candidly presents a relevant discussion for the 2020 political state of the federal legislative branch and how this is reflected in American culture. This conversation will add value to a contemporary commentary of our current political climate for posterity. Frank Graziano starts his questions regarding Bingaman’s early years in Silver City, NM to his time studying at Harvard through law school at Stanford University, meeting his wife Anne, their subsequent move back to New Mexico, their settling in Santa Fe, Bingaman’s time in the Reserves, and follows through his time in public service. This discussion gives a background for the political career of one of the most influential contemporary New Mexico politicians.

This piece is part of the Profundo Heritage Archive of over 50+ interviews with prominent cultural figures in New Mexican conducted by Nuevo Mexico Profundo’s Frank Graziano. The complete archive will eventually reside at University of New Mexico’s Center for Southwest Research. View the list of current interviews here.

About Nuevo Mexico Profundo
Nuevo Mexico Profundo is the venture that conducts tours of New Mexico churches on the High Road, in the mountain villages, at pueblos, to raise money for the repair and restoration of these churches so important to the communities where they reside. Profundo is a collaboration started by Frank Graziano and supported by the Historic Santa Fe Foundation, Spanish Colonial Arts Society, Cornerstones Community Partnerships, New Mexico Historic Preservation Division, the Office of the New Mexico State Historian, and the New Mexico Heritage Preservation Alliance. Given the conditions of the ongoing health crisis, tours and events planned by Profundo have been canceled for the year. This program of interviews and recording histories was put into action according to social distancing and health regulations. You can learn more about Nuevo Mexico Profundo at nuevo-mexico-profundo.com.

Attack of the Three-Headed Hydras - A Book Review by Pete Warzel

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Attack of the Three-Headed Hydras: Confronting Apathy, Envy and Fear on the road to saving humans and the future by Katherine Ortega Courtney, PhD and Dominic Cappello*
Reviewed by Pete Warzel

Self-published
275 pages, paperback
$9.33 from Amazon or through www.tenvitalservices.org

I have a cartoon on my hallway wall at home drawn by Dom Cappello – the Zombie Apocalypse on Canyon Road. It depicts residents of, and tourists visiting this great city, walking entranced by their cell phones and other mobile devices, addicted to the screen and not the beauty of the town around them. Dom was a resident here at El Zaguán, and as you know the apartments set aside for artists and writers front directly on the street, so there is plenty of opportunity to see the people going by, sleepwalking, as Dom would say in this new book by he and Catherine Ortega Cortney.

The purpose of the book is to awake these sleepwalkers to the danger of becoming anaesthetized to the social issues around them, especially during a time of COVID-19 crisis and political angst, and take action for the better health, physical mental and social, of all citizens in our state and nation. It is a fun read, humorous but pointed, in narrative and Dom’s signature cartoons, that calls to action, county by county, the means to ensure ten vital services for all. They delineate the five for survival: shelter, a secure food system, medical care, behavioral health care and transportation to all these vital services. Then five for thriving: parent support, early childhood learning programs, community schools with health services, youth mentoring, and job training. The impediment to these basic human needs is portrayed here as the three-headed hydra, and beware, they are everywhere, especially in big business and government at all levels, “…persons of power who obstruct progress while holding tight to a broken status quo….” The three heads are known to us all as Apathy, Envy, and Fear.

The book is a serious romp, an adult comic book of sorts where you, the potential hero, take on these three-headed hydras in bettering the conditions of our communities through services that are research proven to afford a healthy life for individuals and family. The fight is emphasized repeatedly to be on a “county by county basis,” grassroot politics. In a wonderful aside, the authors interview Mother Earth about “human extinction”, tied to the current pandemic but reaching into the consciousness of our human condition. The humor is biting: “This entire global sh-t show has nothing to do with what I want (Mother Earth). It’s about what you want. And trust me, you really want to be paying attention right now.” And, “Alone, a human is like a leaf in the wind. You’re fragile and prone to Netflix addiction. Collectively you might still have a chance.”

Technology is embraced here, data, analysis, process, and the logic of a plan to take on the issues on a local, county level. The authors believe that their approach through 5 services to survive and the additional 5 services to thrive will solve any number of social and health issues, that may seem totally disparate in their manifestations. In other words, the root causes of social problems are identifiable and quantifiable, and the answer is definable. This is the “100% Community Initiative” propounded by the authors, where 100% of the population has access to the vital services identified. Ktherine and Dom contend that a simple 1% of a county and/or a city budget, annually, can put in place the process for continuous improvement in quality of services.

If you want to engage in the betterment of services provided to 100% of the folks in your community, this book will help illuminate the path. It is well done and so very relevant to our time and place in New Mexico.

*Dominic Capello is a former artist-in-resident at HSFF’s El Zaguán.

Interview with Simone Frances, Photographer for HSFF's Old Santa Fe Today

Simone Frances, Laboratory of Anthropology, Director’s Residence for the new and fifth edition of Old Santa Fe Today

Simone Frances, Laboratory of Anthropology, Director’s Residence for the new and fifth edition of Old Santa Fe Today

For our blog, HSFF’s Development Coordinator Melanie McWhorter interviews Simone Frances about her work, living in New Mexico, and photographing architectural spaces including images from her thesis project and the contemporary illustrations for Old Santa Fe Today. The book is slated to be released by the Museum of New Mexico Press in fall 2021.

Melanie McWhorter: How did you end up at the College of Santa Fe program in the early 2000s?

Simone Frances: My father served in the army during the Vietnam War. He was a pilot and an aircraft mechanic. We started visiting the southwestern states when I was young, and, having grown up just south of Canada, I wanted to get away from trees and snow and mud. Now, of course, I miss trees, snow, and mud.

MM: That lead you to the antique photographic printer speciality? Where did you work on the older photographer processes and why that niche?

SF: I met Anna Strickland, the Rhode Island School of Design professor and artist, in 2009 while living in Belfast, Maine. Ms. Strickland taught antique and alternate photographic processes at RISD for many decades. Her career as a photographer was largely focused on climate and environmental changes as well as a deep conceptual intersection with Buddhism and the resilience within the things we consider temporary. I printed with Ms. Strickland for many years. She was a generous mentor and motivator, as she advocated for artists to pursue their work regardless of the absence of commercial or institutional support. I was given volumes of experience and knowledge in platinum, gum bichromate, and other early photographic techniques, but the lasting gift of working with Ms. Strickland was her commitment to the practice and to the work, which is rare and invaluable.

© Simone Frances from her series Isolate to a Controllable Space

© Simone Frances from her series Isolate to a Controllable Space

© Simone Frances from her series Isolate to a Controllable Space

© Simone Frances from her series Isolate to a Controllable Space

MM: Why did you choose the University of New Mexico program? What do you feel are the strength of this program or some of your most valuable take-aways from your studies and research there? 

SF: The photography program at UNM is nationally renowned and has been for many decades. I will always be honored to have received my MFA there. The program structure adheres to an older model of MFA programs that provides its graduate students with the opportunity to teach within their field for three years. Additionally, my time as a fellow at the Center for Southwest Research & Special Collections provided a setting to expand my knowledge of descriptive language in the archive and library sciences and especially as it relates to the social and cultural understanding and dissemination of images. The archive is a complicated place, its mediation of materials, access, and curation. Because I came into graduate school as an older person with many life experiences, opportunities like this were really valuable for me. As my so-called studio practice was already well developed, I wanted to spend time teaching and building my experience more widely.

MM: Your previous projects are personal, seemingly autobiographical in a performative way, but also focus on what you call ‘the public arena of institutional architecture’ including the work produced for your thesis show, ‘isolate to a controllable space.’ Tell us a bit about what the term ‘the public arena of institutional architecture’ how this approach to the study of space guides how you photograph the architecture and structures, and how you visually explore their use, history, and narrative.

SF: My inquiries into architecture, and its reach into the delineated and named, commodified or neglected landscapes of public and private space, have led me to many places. Immersing in government and museum architecture of Mexico City, spatially confined routines of monastic life in rural Greece, to the free public experience of street and sidewalk living in Berlin, my comparative studies of the uses of public place and behavior of people in these spaces look toward our relationality. I think that we have a participatory and performative relationship with public space, and its intersection and influence into the private speaks to the nature of being as a negotiation with levels of obedience, a navigation through and around systems and space.

My earlier works were performative, exploring the intersection of quotidian spaces with confrontational gestures. As the images lack narrator, story, events, time, and sequence I eschew those elements and its collective whole.

© Simone Frances from her series Isolate to a Controllable Space

© Simone Frances from her series Isolate to a Controllable Space

© Simone Frances from her series Isolate to a Controllable Space

© Simone Frances from her series Isolate to a Controllable Space

MM: You were commissioned to shoot the new photographs for Old Santa Fe Today for Historic Santa Fe Foundation after a recommendation from a contemporary at UNM. Some of your previous work including from your thesis show helped HSFF in the decision to contract with you for the project. How did your previous projects on the public use of institutional architecture inform the shoots for Old Santa Fe Today?

SF: Through my previous and ongoing works, I acknowledge that systems like architecture are conductors of the relational and participatory processes of identification and categorization. We know that our ability to live and to move, and in what condition, is critically dependent on a corporeal placement in both private and public space. This placement is determined, and predetermined, by the prevailing order of things. This placement is also determined by a set of procedures working together as part of an interconnected network that includes, excludes, and ignores in ways that are relevant and beneficial to our dominant structures. I believe that these mechanisms are at work in all times in architecture; in primary and secondary homes, institutional buildings like schools and government buildings, prisons, parks, and businesses. I think that it is important not to mythologize architectural structures, to speak about why they came and what they were built for and what they still do. I think all architecture is active and implementing different types of social ordering. I am glad that HSFF was interested in having this type of working methodology inform the approach for photographing Old Santa Fe Today.

Simone Frances, Donaciano Vigil House for the new and fifth edition of Old Santa Fe Today

Simone Frances, Donaciano Vigil House for the new and fifth edition of Old Santa Fe Today

Simone Frances, Dodge Bailey House for the new and fifth edition of Old Santa Fe Today

Simone Frances, Dodge Bailey House for the new and fifth edition of Old Santa Fe Today

Simone Frances, Donaciano Vigil House for the new and fifth edition of Old Santa Fe Today

Simone Frances, Donaciano Vigil House for the new and fifth edition of Old Santa Fe Today

MM: When shooting for Old Santa Fe Today, what are some of the interesting locations and features that you discovered? Any similarities amongst Santa Fe’s architecture? Any stories of note?

SF: All the images for Old Santa Fe Today were shot from February 2020 through October 2020. Of course this was/is a historically challenging period for everyone, not just in Santa Fe but state and worldwide. My primary goal was to accommodate the health and safety of everyone involved. The individuals who managed or owned these properties were incredibly generous to have me at locations and offer their time and enthusiasm to HSFF's goals.

MM: What are some of your current personal projects? Where do you see your career path leading in the future? 

SF: I am currently working on a duology of photographic print books entitled No Is A Place: The Metropolitan Museum of Art & Other Problems and This is Personal for you: Long standing observations & other horizons.

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About the artist/interviewee
Simone Frances
is a writer and architectural photographer based in Santa Fe, New Mexico, and in coastal Maine. Frances received her BFA in photography in 2004 from the College of Santa Fe. After a long career as an antique photographic printer, Frances took her master’s in photography from the University of New Mexico in 2019, where she was a teacher of photography. Exhibiting locally and nationally, she has received awards and honors, such as the SITE Santa Fe Site Scholar, SOMA Mexico City Fellowship, the Fred M. Calkins Award, the Phyllis Muth Scholarship for Fine Arts, and the John L. Knight Award. Frances served as the Pictorial Fellow at the Center for Southwest Research and Special Collections from 2017 to 2019. Frances’ research led her to the fields of visual culture and public environment. Her conceptual work is centered around the public arena of institutional architecture, physical and conceptual structures of whiteness, and the participatory and performative relationships of public space. She is the photographer for the new and fifth edition of Historic Santa Fe Foundation’s Old Santa Fe Today.

Simone Frances, Spitz Gardesky House for the new and fifth edition of Old Santa Fe Today

Simone Frances, Spitz Gardesky House for the new and fifth edition of Old Santa Fe Today

Simone Frances, Sheldon Parsons House and Studio for the new and fifth edition of Old Santa Fe Today

Simone Frances, Sheldon Parsons House and Studio for the new and fifth edition of Old Santa Fe Today

Simone Frances, Edwin Brooks House for the new and fifth edition of Old Santa Fe Today

Simone Frances, Edwin Brooks House for the new and fifth edition of Old Santa Fe Today

Nuevo Mexico Profundo Heritage Archive - Interviews with New Mexicans

In the past months, we have been posting a selection of interviews primarily conducted by Nuevo Mexico Profundo’s Frank Graziano including one with William deBuys, Weto and Barbara Malisow, and former HSFF Board Chair Mac Watson. We received an announcement that the archive of interviews, called Profundo Heritage Archive with about 50+ as of the time of this post, will be housed at University of New Mexico’s Center for Southwest Research. The interviews with New Mexicans of various backgrounds and professions will be available online for all to access. Find information about the interviews here and as we gain more information about how to access the audio, we will keep you posted. The interviewees are listed below.

Click on the above image to download the PDF with the complete list of interviewees and more information on Nuevo Mexico Profundo and the sponsors for the archive.

Click on the above image to download the PDF with the complete list of interviewees and more information on Nuevo Mexico Profundo and the sponsors for the archive.

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El Zaguán Video Series: Acequia de la Muralla - A Tour by Mayordomo B.C. Rimbeaux

The current health crisis forced us all to re-look at the way we do things in the everyday. Our celebrated Salon talks, here at El Zaguán, are an in-person casualty of the times. However,

Kyle Maier of Kamio Media and his Instagram focusing on the history of Canyon Road has volunteered his time and talents to capture some of what we had planned for 2020 in video. He and we have presented the Annual Garden Party & Members Meeting online, as well as a wonderful discussion by Tom Leech and Pat Musick about their collaboration on the Shakespeare project of calligraphy and marbled paper, an exhibition which was a sell-out of the works online through our website.

We had scheduled a Salon talk by B. C. Rimbeaux, mayordomo of the Acequia de la Muralla, one of the few remaining functional acequias in the city, and the second oldest of all acequias in Santa Fe, only to fall to health restrictions. Instead, we present here B. C. on site of the acequia this late summer, working the ditch and giving us an overall history of the importance of water to New Mexico culture and subsistence, as well as details of the past on the Acequia de la Muralla. Kyle has photographed the ditch and the process beautifully. We hope you enjoy this outdoors Salon presentation.

To join HSFF as a member or donation to our general fund or specific programs including the new edition of Old Santa Fe Today, the Mac Watson Fellowship, and the Faith and John Gaw Meem Preservation Trades Internship, visit the Join & Give page.

Watch the video on YouTube here