Artist Development Courses with Kuzana Ogg

HIEROPHANT IN RESIDENCE | ONE-DAY COURSE | SATURDAY, SEPTEMBER 21, 2024
THE GRACEFUL ART OF BECOMING | FOUR-SESSION COURSE | SATURDAY, OCTOBER 5, 12, 19, & 26, 2024
LEARN MORE & SIGN UP BELOW

 

IMAGES LEFT TO RIGHT: HOPE IS MAYBE, KUZANA OGG PUBLIC ART PROJECT AT MUNICH AIRPORT, 2020; KUZANA OGG WORKING ON A PAINTING AT THE ROTHKO RESIDENCY IN LATVIA; KUZANA OGG PAINTINGS ON EXHIBIT AT K CONTEMPORARY IN DENVER.

Historic Santa Fe Foundation (HSFF) is pleased to host a series of courses designed and taught by practicing painter and consultant Kuzana Ogg. This fall, Kuzana will teach two courses in person at HSFF’s El Zaguán, 545 Canyon Road, Santa Fe, NM. Both courses offer students the time and space to develop their professional skills while expanding their knowledge of artist opportunities and receiving counsel from Kuzana. Hierophant in Residence is a one-day intensive on finding and applying to artist residencies and will be held on Saturday, September 21, 2024. The Graceful Art of Becoming is a four-session, in-depth course that spans the month of October. Students will meet on Saturday, October 5, 12, 19, and 26, 2024, to learn the joyful and creative process of organizing and promoting their work. Learn more about the instructor and read the class syllabi below.


SIGN UP & COURSE FEES

Hierophant in Residence | One-Day Course | Saturday, September 21, 2024 | 9 am-noon | $300 Course Fee

$300.00
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The Graceful Art of Becoming | Four-Session Course | Saturday, October 5, 12, 19, & 26 | 9 am-4 pm |
$1200 Course Fee

$1,200.00
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ABOUT THE INSTRUCTOR

KUZANA OGG

Kuzana Ogg was born in Bombay in 1971. Her parents brought her home from the hospital on the back of their motorcycle, and she was a newborn mango nesting in her mother’s arms. On that ride, Kuzana first saw how the hurtling landscapes were marked by lines where fruit and glass, fabric and edifice meet. She strewed the highway behind them with vibrant origami as she dreamed.

The first years of her life were divided between the ancestral home of her grandfather, surrounded by lush gardens and groves of coconut trees, and her grandmother’s exquisite Worli sea face residence. Kuzana’s earliest memories are of temperate weather, fragrant jasmine blossoms, and cascading layers of color.

In time, Kuzana and her infant sister joined their newly immigrated parents in England. The setting changed from streets crammed with disorderly traffic and cows to cars neatly parked in rows, but Kuzana preferred the crumbling palatial structures that still lived in her mind to these frilly curtains and tidy brick homes. The new plastic toys at her feet became the rude complement of those of tin and copper that lay beside them. Her tiffin tucked in her luggage, Kuzana shuttled in train cars to boarding schools in Cornwall, Surrey, and Kodaikanal. At the age of 10, she and her family relocated to New York, and the American metropolis took shape in those eyes where the Deccan plateau once stood.

It was as an art student at SUNY Purchase that Kuzana met her husband and began the work in love and paint of revisiting the garden of her childhood. They married after their graduation in 1995, and moved to South Korea, spending the next six years teaching English in historic Kyung Ju. Returning to the United States in 2001, they lived first in New Mexico, migrated to California's Central Valley ten years later, and then returned to Santa Fe, New Mexico in 2017.

In 2021, Kuzana completed a 4 year residency at El Zaguan on Canyon Road, and moved to Los Alamos. Her paintings have been included on the sets of both television shows and feature films—the most recent of which are Sprung, Bloodline, Where’d You Go Bernadette, Me and Earl and the Dying Girl, Southpaw, and My All-American. Kuzana's first solo museum exhibition was Oil at the San Luis Obispo Museum of Art in 2014. A second solo followed shortly thereafter, Rev Zero at the Bakersfield Museum of Art in 2015. Kuzana's work continues to be exhibited, published, and collected both privately and publicly, nationally, and internationally. View her CV and website for more information.

 

Kuzana Ogg’s residencies include:

2002 Artist in Residence, The Anderson Center for Interdisciplinary Studies, Red Wing, MN
2007 International Artist in Residence, Theertha, Pitakotte, Sri Lanka 
2017 El Zaguán, Historic Santa Fe Foundation, Santa Fe, NM
2017 International Artist in Residence, Tao Hua Tan, Anhui Province, China 
2018  International Artist in Residence, The Cromarty Arts Trust, Cromarty, Scotland
2019  International Artist in Residence, Mark Rothko Art Centre, Daugavpils, Latvia
2020 International Artist in Residence, Old School House, Hrisey, Iceland
2023 Artist in Residence, R&F Brown Pink Studio, Kingston, NY

 


COURSE SYLLABUS

Hierophant in Residence
| One-Day Course | Saturday, September 21, 2024 | 9 am-noon | $300
 Course Fee

Kuzana is the recipient of eight national and international fully funded residencies. Join her in conversation about the motivations and processes involved in securing prestigious artist in residency placements.

9:00-9:15 Brief introduction of Kuzana Ogg

9:15-9:30 Brief introduction to the goals of the class

9:30-10:00 What is a residency? The difference between funded and self-funded residencies

10:00-10:15 Why go on a residency?

10:15-10:30 How to find the right residency for you

10:30-11:00 Basics on applying for a residency

11:00-11:30 What to do while you are waiting to hear if your application has been accepted

11:30-noon Questions from the class

 

COURSE SYLLABUS

The Graceful Art of Becoming
| Four-Session Course | Saturday, October 5, 12, 19, & 26 | 9 am-4 pm | $1200 Course Fee | Enrollment Limited to 10 Students

Join practicing painter and consultant Kuzana Ogg for an in-depth study of the joyful and creative process of organizing and promoting your work. Each class with start with a lecture in the morning. After a short break for lunch, students will engage in individual and group activities designed to enhance their understanding of the morning’s lecture. Each class will conclude with brief presentations from each student and a group critique.

Syllabus

Week 1 | Saturday, October 5, 2024

9:00-12:00 Lecture: Be clear and authentic when speaking and writing about your work

1:00-3:00 Individual and group activities aimed to discover and organize how you think and speak about your work

3:00-4:00 Questions/ presentation of students’ writings/group critique

Week 2 | Saturday, October 12, 2024

9:00-12:00 Lecture: Create and organize these supporting documents: CV, portfolio, artist statement, biography, CV, social media

1:00-3:00 Individual and group activities aimed to produce and organize artist statement, biography, CV

3:00-4:00 Questions/ presentation of students’ writings/group critique

Week 3 | Saturday, October 19, 2024

9:00-12:00 Lecture: Finding and creating opportunities (residencies, exhibitions, public art projects, etc). Applying to the opportunities correctly and in a timely way

1:00-3:00 Individual and group activities aimed at researching and brainstorming opportunities

3:00-4:00 Questions/presentation of students’ research to the class

Week 4 | Saturday, October 26, 2024

9:00-12:00 Lecture: How to remain optimistic when goals seem to be unattainable

1:00-3:00 Individual and group activities aimed at discussing fears, problems, and difficulties when attempting to reach goals

3:00-4:00 Questions and solutions to dealing with these difficulties

 

Contact: Hanna Churchwell at hanna@historicsantafe.org or call 505.983.2567 for more information.